Introduction
I’m Andrew Dornon, a sophomore/junior and English major and Spanish minor. I’m the Snark editor for the Megaphone and a translator of dissident Cuban blogs. Therefore, being left with very few applicable skills after SU, I will probably pursue the life of a perpetual student. Within the field of literature, I am most interested in its possibe uses for subversion and how literary theory can be applied to an even wider variety of texts than it already has been, such as video games, tattoos and tobacco advertisments.
As far as Wieland is concerned, along with apparently everyone else in the class, I have been pleasantly surprised. The novel is certainly an intriguing textual artifact, as well as a fairly enjoyable one. It is involved in the debate between the Enlightment/religion and natural/supernatural that raged then and continues to rage today. Perhaps more interestingly, Brown doesn’t seem to really take a stance on it. Although it might appear that all of the “supernatural” occurrences which befall the youngest Wielands can be attributed to Carwin, their father’s death cannot be explained in any rational way. Also at work within the text are strange underminings of the prevailing sexual mores, as well as the desecration of the father’s temple, which I can’t help but read as Oedipal. While creepy Freudian relationships are fun, perhaps even more fun is the exciting Wieland cover below.


Recent Comments