Coverdale & Pierre: Arguing Across Texts
I think one of things that jumped out at me most from the most recent reading is the relationship of Pierre and his cousin Glen which is, to say the least, weird. Melville describes their relationship as spicy, jealous, passionate “boy-love” (216). It immediately reminded me both of Coverdale and Hollingsworth’s homosocial connection, as well as the connection between Melville and Hawthorne.
I was also reminded of the letters between Melville and Hawthorne and Temple’s “Ineffable Socialities” in which she argues that “Pierre’s attraction for Isabel mirrors Melville’s attraction for Hawthorne” (127). I’d have to say that much more about their relationship can be gleaned from looking at Hawthorne’s perspective as mirroring Coverdale’s relationship with Hollingsworth, and reading Melville as conflated with Pierre in his discussion of Glen (I am starting to find it interesting how Melville’s conscious seems to drift between Pierre and the narrator).
From the letters and from Temple’s analysis we know that the relationship between Hawthorne and Melville started to drift apart after a while, largely due to Hawthorne distancing himself. This is directly mirrored in what I would argue is Hawthorne’s perspective of a homosocial bond: Coverdale retreating from Hollingsworth into his hermitage in the woods to hide away, to pull at the bond, to push against its tensile strength until it snaps suddenly (110-111). Temple argues that Hawthorne/Coverdale is ultimately unable to overcome social institutions, and thus has his characters capitulate some part of themselves in favor of maintaining the status quo.
In thinking of Melville as Pierre, we gain the opposite side of the argument. We are privileged to observe from the other half of the homosocial bond. Pierre is the half that seeks to continue the bond, despite the fact that Glen has obviously moved on and no longer feels any sort of devotion or love for Pierre. There is a lot of interesting commentary in this passage on writing, especially in greetings – and Pierre judges his relationship with Glen based on the gratuitous introductory “Dear….’s” that he uses (219).
The narrator notes how “the eventual love for the other sex forever dismiss[es] the preliminary love-friendship of boys” (217). What I find interesting is how despite Pierre “getting over” Glen, the “love for the other sex” that he replaces it with is for his own sister Isabel – and in this way, Melville/Pierre refuse to succumb to rules/institution like Hawthorne does , Melville’s characters actively rebel against the normative even while seemingly following a “typical” pattern in love.
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